1930'S & 1940'S PINUP by ROY BEST 6x18
"THE LADY IN RED!"
Young and Blond 1939 Anita O'Day as a Torch Singer in a vintage red sheer glamour gown.
Torch singer In sheer see through dress sings at a vintage style microphone.
Apx. 6x18 GICLEE on fine art paper ~ unframed
(ORIGINAL VINTAGE PAINTING IS AVAILABLE FOR A LIMITED TIME, JUST ASK AND WE CAN LIST IT!)
THE YOUNG ANITA O'DAY BIG BAND "THE TORCH SINGER" as ROMANTIC GLAMOUR PIN-UP GIRL!
(Note: Actual art is better than this very low res scan!)
ALSO ask us about an ORIGINAL RECREATION PAINTING of this image by AMERICAN PIN-UP ARTIST DANIEL VANCAS
Orginal Art Recreated by Daniel Vancas - Master Elvgren replica artist, published and exclusive artist with Vanguard Galler!
(LARGER or SMALLER SIZES AVAILABLE - JUST ASK - WE'LL LIST WITH BUY IT NOW!)
VANGUARD GALLERY EXCLUSIVE NEW RELEASE AND PRODUCTION - SMALL LIMITED EDITION!
ONE OF THE BEST ROY BEST PINUPS! Nice larger size. This romantic torch and big band singer Anita O'Day sand with the Big Bands, Like Gene Crupa, in the Art Deco Supper Dance Clubs in the later 1930's and early 40's, where she often appeared as a steady and a regular feature. At that time she bleached her hair blond. This is done in the typical romantic pinup style of the 30's & 40's. A WWII Bomber Nose Art style pinup cover girl has a real love of lingerie and lace! This is a rare image never seen or offered before! Wearing an almost see-through sheer gown, Anita sings love songs while flirting with you, the viewer. Romance!
Because of the singing Anita O'Day subject, the unusual shape and size, it's vintage, and where the original was first bought in the 1940's, we believe that the original maybe was created for the art deco clubs, to be used for lobby displays, playbills and menus cards of the supper club, possibly the famous "Three Deuces Club", that O'day was performing at for several years with the Miller Band in Chicago of the late 1930's and 1940's. Later she sang with the Big Bands of Gene Krupa, Woody Herman, Stan Kenton and Count Basie, and Benny Goodman.
PERFECT GIFT FOR THE PASSIONATE PIN-UP, JAZZ AND BIG BAND LOVER!
Unusual shape allows for easy fit on smaller locations and unique decorating spots.
LOOKS GREAT OVER THAT VINTAGE ANTIQUE CONSOLE RADIO!
THIS IS HIGEST QUALITY FINE ART PRINT GICLEE!
SAVE 65% ~ SPECIAL PROMOTIONAL SALE + FREE USA SHIPPING FOR FIRST BUYERs!
~ DON'T WAIT! THIS IS A BUY IT NOW TRANSACTION!
~ Custom limited edition fine art giclee of ONLY 125 CANVAS pieces plus proofs
~ ASK ABOUT LARGER OR SMALLER SIZES ON CANVAS GICLEE OR A HAND PAINTED REPLICA OF THIS... many of these original paintings were lost and thrown away in the 1950's and 60's by the advertising calendar companies.
~ WE FOUND THE ORIGINAL... ASK US ABOUT THE ORIGINAL PAINTING IF INTERESTED.
~ Highest quality by professional fine art printers, top quality name brand art inks and art papers used in printing.
~ Published by a American Fine art publisher, printed in USA!
~ Presented by VANGUARD GALLERY of Carmel, Ca., Est. since 1992, a "real" bricks and mortar gallery.
~ BUY NOW and Save! Promotional first offer of 3 pieces on ebay is sold for less than gallery prices!
~ Purchase from a established, real art gallery of, VANGUARD GALLERY (Est.1992) and publisher who produces your art quality art prints on the best giclee machines, using the best name brand materials on site. (We are NOT some back room, garage, or off shore ebay seller. We are an established gallery, on a gallery street, in one of America's largest art Markets)
SOMETHING ABOUT ROY BEST - Pin-Up Artist 1930's thr 1950's. (From Wikipedia)
Roy Best was an American illustrator and painter of pin-up girls.
He was born in Waverly, Ohio and attended the Art Institute of Cincinnati, working on a railroad construction crew to support himself. He later enrolled in the Art Institute of Chicago.
Later, Best was represented in New York City by American Artists. During this time he painted several covers for The Saturday Evening Post. By 1931, Best was painting pin-ups for the Joseph C. Hoover & Sons calendar company. That same year, he was commissioned by the Whitman Publishing Company to illustrate The Peter Pan Picture Book, based on J. M. Barrie's play Peter Pan; an illustration from this project was the basis for the Peter Pan Bus Lines logo.
In 1942, Best was hired by B&B, Murphy's Calendars, Dow Advertising and Calendars and others ad firms for mostly pin-up style pin-ups and other illustrations.
SOMETHING ABOUT ANTIA O'DAY - ONE OF AMERICA'S MOST NOTED JAZZ AND BIG BAND SINGERS! (From Wikipedia)
Born into a broken home in Chicago, O'Day took the first chance to leave home when, at age 14, she became a contestant in the popular Walk-a-thons as a dancer. She toured with the Walk-a-thons circuits for two years, occasionally being called upon to sing. In 1934, she began touring the Midwest as a marathon dance contestant and singing "The Lady in Red" for tips.
In 1936, she left the endurance contests, determined to become a professional singer. She started out as a chorus girl in such Uptown venues as the Celebrity Club and the Vanity Fair, then found work as a singer and waitress at the Ball of Fire, the Vialago, and the Planet Mars. At the Vialago, O'Day met the drummer Don Carter, who introduced her to music theory and whom she married in 1937. Her first big break came in 1938 when Down Beat editor Carl Cons hired her to work at his new club at 222 North State Street, the Off-Beat, which quickly became a popular hangout for musicians. Also performing at the Off-Beat was the Max Miller Quartet, which backed O'Day for the first 10 days of her stay there.
While performing at the Off Beat, she met Gene Krupa, who promised to call her if Irene Daye, his current vocalist, left his band. In 1939 she was hired as vocalist for Miller's Quartet, which had a stay at the Three Deuces club in Chicago.
Work with Krupa, Herman, and Kenton
The call from Krupa came in early 1941. Of the 34 sides she recorded with Krupa, it was "Let Me Off Uptown", a novelty duet with Roy Eldridge, that became her first big hit. That year, Down Beat named O'Day "New Star of the Year". In 1942, she appeared with the Krupa band in two "soundies" (short musical films originally made for jukeboxes), singing "Thanks for the Boogie Ride" and "Let Me Off Uptown". The same year Down Beat magazine readers voted her into the top five big band singers. O'Day came in fourth, with Helen O'Connell first, Helen Forrest second, Billie Holiday third, and Dinah Shore fifth. O'Day married again in 1942, this time to golf pro and jazz fan Carl Hoff.
When Krupa's band broke up after he was arrested for possession of marijuana in 1943, O'Day joined Woody Herman for a month-long gig at the Hollywood Palladium, followed by two weeks at the Orpheum. Unwilling to tour with another big band, she left Herman after the Orpheum engagement and finished out the year as a solo artist. Despite her initial misgivings about the compatibility of their musical styles, she joined Stan Kenton's band in April 1944. During her 11 months with Kenton, O'Day recorded 21 sides, both transcription and commercial, and appeared in a Universal Pictures short Artistry in Rhythm (1944). "And Her Tears Flowed Like Wine" became a huge seller and put Kenton's band on the map. She also appeared in one soundie with Kenton, performing "I'm Going Mad for a Pad" and "Tabby the Cat". O'Day later said, "My time with Stanley helped nurture and cultivate my innate sense of chord structure." In 1945 she rejoined Krupa's band and stayed almost a year. The reunion, unfortunately, yielded only 10 sides. After leaving Krupa late in 1946, O'Day once again became a solo artist.
During the late 1940s, she recorded two dozen sides, mostly for small labels. The quality of these singles varies: O'Day was trying to achieve popular success without sacrificing her identity as a jazz singer. Among the more notable recordings from this period are "Hi Ho Trailus Boot Whip", "Key Largo", "How High the Moon", and "Malaguena". O'Day's drug problems began to surface late in 1947, when she and her husband Carl Hoff were arrested for possession of marijuana and sentenced to 90 days in jail. Her career was back on the upswing in September 1948, when she sang with Count Basie at the Royal Roost in New York City, resulting in five airchecks. What secured O'Day's place in the jazz pantheon, however, are the 17 albums she recorded for Norman Granz's Norgran and Verve labels between 1952 and 1962.
Her first album, Anita O'Day Sings Jazz (reissued as The Lady Is a Tramp), was recorded in 1952 for the newly established Norgran Records (it was also the label's first LP). The album was a critical success and further boosted her popularity. In October 1952 O'Day was again arrested for possession of marijuana, but found not guilty. The following March, she was arrested for possession of heroin. The case dragged on for most of 1953; O'Day was finally sentenced to six months in jail. Not long after her release from jail on February 25, 1954, she began work on her second album, Songs by Anita O'Day (reissued as An Evening with Anita O'Day). She recorded steadily throughout the 1950s, accompanied by small combos and big bands. In person, O'Day was generally backed by a trio which included John Poole, the drummer with whom she would work for the next 40 years.
Newport Festival 1958
As a live performer O'Day also began performing in festivals and concerts with such musicians as Louis Armstrong, Oscar Peterson, Dinah Washington, George Shearing, Cal Tjader, and Thelonious Monk. She appeared in the documentary Jazz on a Summer's Day, filmed at the 1958 Newport Jazz Festival which increased her popularity. She admitted later that she was probably high on heroin during the concert. She also said that it was the best day of her life in that hers was the star performance of the festival and she made the cover of national magazines for it.
Anita O'Day in 2005
The following year O'Day made a cameo appearance in The Gene Krupa Story, singing "Memories of You". Late in 1959, she toured Europe with Benny Goodman to great personal acclaim. O'Day later wrote in her 1981 autobiography that when Goodman's attempts to upstage her failed to diminish the audience's enthusiasm, he cut all but two of her numbers from the show.
O'Day went back to touring as a solo artist and appeared on such TV specials as the Timex All-Star Jazz Show and The Swingin' Years hosted by Ronald Reagan. She recorded infrequently after the expiration of her Verve contract in 1962 and her career seemed over when she nearly died of a heroin overdose in 1968. After kicking the habit, she made a comeback at the 1970 Berlin Jazz Festival. She also appeared in the films Zigzaga.k.a. False Witness with George Kennedy (1970) and The Outfit (1974) with Robert Duvall. She resumed making live and studio albums under the new management of Alan Eichler, many recorded in Japan, and several were released on her own label, Emily Records.
Memoir and later life
O'Day spoke candidly about her drug addiction in her 1981 memoir High Times, Hard Times, which led to a string of TV appearances on 60 Minutes, The Tonight Show Starring Johnny Carson, The Today Show with Bryant Gumbel, The Dick Cavett Show, Over Easy with Hugh Downs, The Tomorrow Show with Tom Snyder, and several others. She also toured Europe, performed a 50th Anniversary Concert at Carnegie Hall and headlined New York's JVC Jazz Festival.
In 2005, her version of the standard "Sing, Sing, Sing" was remixed by RSL and was included in the compilation album Verve Remixed 3. The following year, she released Indestructible!, her first album in 13 years.
One of her best-known late-career audio performances "Is You Is Or Is You Ain't My Baby", which opens the film Shortbus (2006) by John Cameron Mitchell.
A feature-length documentary, Anita O'Day: The Life of a Jazz Singer, directed by Robbie Cavolina and Ian McCrudden, premiered at the Tribeca Film Festival on April 30, 2007.
In November 2006, Robbie Cavolina (her last manager) entered her into a West Hollywood, California convalescent hospital, while she recovered from pneumonia. Two days before her death, she had demanded to be released from the hospital. On Thanksgiving Day, November 23, 2006, at age 87, O'Day died in her sleep. The official cause of death was cardiac arrest.
Vanguard Gallery (see photos of gallery) is a retro to contemporary gallery featuring mostly American Artists, retro, art deco, pinup, illustration, automobile, aviation, WWII, Nose Art, Trains, music icons, Jazz and more.
VANGUARD GALLERY ART & ARTISTS: This is a partial list of artists, Elvgren, Vargas ( Varga Girls), Peter Driben, Roy Best, Enoch Bolles, Earl Moran, Fritz Willis, Zoe Mozert, Petty, Connolly, Freid Pal, Frahm, DeVorss, Olivia, Daniel Vancas, DeMartini, Harvey Higley, Wayman, Shugg, Schaub, Riley, Hahn and many more. Our original art paintings and rare prints span the decades from 1920's, 30's, 40's, 50's through 1960's, even 70's and 80's. We also represent contemporary artists. Vanguard Gallery is also the home studio for art director and artist Daniel Vancas, for 15 years known for his fully authorized Elvgren pinup replica paintings and his own unique original art Deco to Modern, illustrative & social realism woks. Vanguard's art celebrates the American popular experience of the 20th Century.
VANGUARD GALLERY is located 6TH STREET, Carmel-By-The-Sea, California.
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